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Hannibal: A Novel, by Thomas Harris
Get Free Ebook Hannibal: A Novel, by Thomas Harris
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Amazon.com Review
Horror lit's head chef Harris serves up another course in his Hannibal "The Cannibal" Lecter trilogy, and it's a pièce de résistance for those with strong stomachs. In the first book, Red Dragon (filmed as Manhunter), Hannibal diabolically helps the FBI track a fascinating serial killer. (Takes one to know one.) In The Silence of the Lambs, he advises fledgling FBI manhunter Clarice Starling, then makes a bloody, brilliant escape. Years later, posing as scholarly Dr. Fell, curator of a grand family's palazzo, Hannibal lives the good life in Florence, playing lovely tunes by serial killer/composer Henry VIII and killing hardly anyone himself. Clarice is unluckier: in the novel's action-film-like opening scene, she survives an FBI shootout gone wrong, and her nemesis, Paul Krendler, makes her the fall guy. Clarice is suspended, so, unfortunately, the first cop who stumbles on Hannibal is an Italian named Pazzi, who takes after his ancestors, greedy betrayers depicted in Dante's Inferno. Pazzi is on the take from a character as scary as Hannibal: Mason Verger. When Verger was a young man busted for raping children, his vast wealth saved him from jail. All he needed was psychotherapy--with Dr. Lecter. Thanks to the treatment, Verger is now on a respirator, paralyzed except for one crablike hand, watching his enormous, brutal moray eel swim figure eights and devour fish. His obsession is to feed Lecter to some other brutal pets. What happens when the Italian cop gets alone with Hannibal? How does Clarice's reunion with Lecter go from macabre to worse? Suffice it to say that the plot is Harris's weirdest, but it still has his signature mastery of realistic detail. There are flaws: Hannibal's madness gets a motive, which is creepy but lessens his mystery. If you want an exact duplicate of The Silence of the Lambs's Clarice/Hannibal duel, you'll miss what's cool about this book--that Hannibal is actually upstaged at points by other monsters. And if you think it's all unprecedentedly horrible, you're right. But note that the horrors are described with exquisite taste. Harris's secret recipe for success is restraint. --Tim Appelo
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From Publishers Weekly
This narrative roils along a herky-jerky vector but remains always mesmerizing, as Harris's prose and insights, particularly his reveries about Hannibal, boast power and an overripe beauty. If at times the suspense slackens and the story slips into silliness, it becomes clear that this is a post-suspense novel, as much sardonic philosophical jest as grand-guignol thriller. Hannibal, we learnA"we" because Harris seduces reader complicity with third-person-plural narrationAis not as we presumed. The monster's aim is not chaos, but order. Through his devotion to manners and the connoisseur's life, in fact to form itself, he hopesAconsciouslyAto reverse entropy and thus the flow of time, to allow a dead sister to live again. He is not Dionysius but Apollo, and it is the barbarians who oppose him who are to be despised. Hannibal may be mad, but in this brilliant, bizarre, absurd novelAas in the public eyeAhe is also hero; and so, at novel's end, in blackest humor, Harris bestows upon him a hero's rewards, outrageously, mockingly. Agent, Morton Janklow. 1.3 million first printing; film rights to Dino De Laurentis. (June) Copyright 1999 Reed Business Information, Inc.
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Product details
Hardcover: 486 pages
Publisher: Delacorte Press; 1st edition (June 8, 1999)
Language: English
ISBN-10: 038529929X
ISBN-13: 978-0739414125
Product Dimensions:
6.6 x 1.4 x 9.6 inches
Shipping Weight: 1.8 pounds (View shipping rates and policies)
Average Customer Review:
3.9 out of 5 stars
1,983 customer reviews
Amazon Best Sellers Rank:
#78,038 in Books (See Top 100 in Books)
I was very hesitant to buy this book after seeing how evenly divided people were between loving and hating it. But then I realized that some of the best books drive fans to polarize this way, so I gave it a chance.To me, this book did reach a feverish nightmare quality that felt heightened compared to its predecessors. However, for Harris to pull off the ending, that height was necessary. Yes, it was shocking, but also utterly satisfying, and it couldn't have been accomplished any other way.I didn't entirely enjoy the middle section in Italy, but perhaps it only made me that much more glad to return to Starling and her action-packed chapters. If you're someone who gets particularly thrilled by a blazing showdown at the climax of a book, I'd recommend this book.If you're more interested in Harris' craft as a murder mystery writer, this book may have veered too far into ethereal horror territory for you.But either way, I think it's worth giving it a try.
I give the book four stars. To explain: the story seemed choppy to me. Perhaps I'm a fan of architecture in writing; avid description and character development. The psychology Harris tackles in these novels is what makes them a pleasant read, in my experience. I enjoy the descriptions of characters, their thought processes. Harris' brief allowance into the mind of Lecter, specifically, and other characters was rewarding. Note I said brief. Something seemed rushed with this novel.I wasn't upset with the ending, as so many fans seem to be. I get the strong female lead, Clarice Starling, and the reasons why, perhaps, fans wanted her character to remain ABOVE the influence of Lecter, to forever stand for some sort of invisible integrity placed upon what a "strong" female should be. Fans seemed disappointed because Clarice became human, through her untimely empathy and understanding of Lecter as, not a monster, but as another human being. The monster became human and for a moment we understood him, but we don't like to acknowledge we can understand monstrous behavior. The lamb, our strong female lead, then became lesser, almost monstrous herself, because she came to this understanding, and eventually offered herself as sort of a sacrifice to not only curb the monsters appetite, but in her own way, heal her own wounds.I found this novel to be a delightful read, along with the others. I really enjoy seeing how the writing and characters were woven together to create the "Hannibal" television series. That series was a fantastic, and visually stunning adaptation of Harris' work. To which I highly recommend!If your mind is open, and you simply enjoy reading, these novels are truly a treat.
While not as satisfying as Red Dragon, Silence of the Lambs, or (to a lesser extent) Hannibal, Thomas Harris manages to cook up a decadent appetizer to an already loaded three-course meal. It's hard not to see Hannibal Rising as a last-ditch effort to revive an ailing franchise by further developing one of the most complex characters of modern fiction. By offering a traumatic origin story as explanation for how a human being could become Dr. Lecter, Harris walks a dangerous tightrope in making his magnificent creation a less-fascinating avatar of evil.What this novel gives readers is a sumptuous look at Hannibal's youth, the plot of which is not much more than a thrilling story of grisly vengeance. A young Lithuanian aristocrat loses his parents and darling sister, Mischa, in the final desperate days of World War II. Hannibal is forced to watch as little Mischa is devoured by callous Nazi-sympathizing ruffians whom Hannibal later tracks down and gruesomely dispatches in the natural course of the novel. By the end of Hannibal Rising, the reader is left with a better understanding of the epicurean psychiatrist, even if the book doesn't exactly conclude with the satisfaction one would wish from an examination of Lecter's tenebrous beginnings. The action is swift and often fleeting, and the chapters brief (often only four pages), and the sentences are, for the most part, simplistic and lacking the eloquence found in Harris's preceding works. The dialogue is occasionally stilted and the character of Lady Murasaki, who sensually introduces the impressionable teenage Hannibal to a rarified world of Japanese art and poetry, exists only to be beautiful.Thankfully, Hannibal Lecter remains a preeminent literary icon, a dominant fictional boogeyman, and that's primarily due to Anthony Hopkins's unforgettable screen incarnation. Hannibal Rising reads like the novelization of a screenplay; not surprisingly Thomas Harris wrote the screenplay in the course of writing this novel. That isn't to say the book is a complete loss, for even after so many years since writing Red Dragon and Silence, Harris still possesses a keen aptitude for depicting the animal nature that lurks beneath mankind's veneer of civilization.
LOVE this book. Ive read it no less than ten times and this digital version is because the pages started to come off the paperback. The writing is spell-binding and the plot-line takes the reader on a whirlwind. I also LOVE that Lecter and Starling get together at the end. I know so many think it was crazy but it makes perfect sense to me. The Lecter back story is also enthralling and humanizes the character in a way that the entire SUCKY rendering of Hannibal Rising could not deliver. Id give this ten stars if permitted. LOVE THIS BOOK!!
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