Download Lysistrata (Hackett Classics)

Download Lysistrata (Hackett Classics)

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Lysistrata (Hackett Classics)

Download Lysistrata (Hackett Classics)

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Review

A perfect Lysistrata for the new millennium: rich apparatus and a sparkling, metrical, accurate translation of this inexhaustible treasure of a play. --Rachel Hadas, Rutgers UniversityPresents a readable, clear translation with the assistance students will need to understand this play and the society that produced it. . . . A worthy addition to Hackett's growing series of translations of classical literature in accessible editions. --Anne Mahoney, New England Classical Journal

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About the Author

Poet and classicist Sarah Ruden received her Ph.D. in Classics from Harvard University.

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Product details

Series: Hackett Classics

Paperback: 126 pages

Publisher: Hackett Publishing Company, Inc. (March 1, 2003)

Language: English

ISBN-10: 0872206033

ISBN-13: 978-0872206038

Product Dimensions:

5.5 x 0.2 x 8.2 inches

Shipping Weight: 4.8 ounces (View shipping rates and policies)

Average Customer Review:

4.2 out of 5 stars

158 customer reviews

Amazon Best Sellers Rank:

#602,246 in Books (See Top 100 in Books)

I wanted to find an accessible translation by a woman to Lysistrata, since I started using Women on the Edge: Four Plays by Euripedes in my theatre history classes. That book is excellent and the women who did the translating did an impressive job of translating without adapting or making the language too contemporary. I was hoping I would find one of the 4 women who translated and edited that book to have published some Aristophanes' translations. In the search I landed on this book,and my students and I really enjoyed this read. The gloss that Sarah Ruden has added to the translated text is excellent, and she explains why she chose to translate a certain phrase in the way that she did. It really opened my students' eyes to the responsibility of a translator, and how a personal agenda cam creep into the translation. As with Women on The Edge, he most valuable aspect of this book in my mind is the excellent commentaries she added on Athenian Democracy, Ancient Greek Warfare, Athenian Women, and Greek Comedy. There is about 10 pages on each of these subjects and, wow, they are so beneficial. I will use this as a required text from now on because it is not expensive and the material included in the commentaries is an invaluable supplement to any theatre history text. Both this book and Women on the Edge provide solid historical context in a way that I have yet to find in larger anthologies or cheaper single play editions. I should add that my students, who are are reading the Greeks at the start of a more extensive theatre hist and lit class, gave both the translation and the commentaries thumbs up! However, one thing to be aware of is that this translation doesn't try to tone down the sexuality in the script. It is very direct ( and again Ruden explains her choices). If you are uncomfortable with the explicit language the Athenians used, or you are looking for an aggressive feminist theory approach to the theatrical text, maybe you won't like this. I want my students to understand the historical context, the laugh lines, and the theatricality of the text. It fits my goals very well. And check out the 4 plays and commentary in Women on the Edge, if you are a Euripides fan!

The story and the writing and the presence of phrases we use today (I really hope they are not an inclusion of the translator) can give a tricky sensation that the story has been written at most one hundred of years ago and not the two and half millennia that it has (!). The story is about a way that the heroine, Lysistrata, has devised to end the war that men have waged, the funny thing is that her reason to ideate her plan is the, mostly erotic, longing she feels for not being able to be with his man, and this is the reason the women of Greece accept to back her plan.It is not a war of sexes as the motivation is not to prove which side is the strongest; is rather a way to reunite women and men separated in love by the long war. Also I notice some observations about the government in times of Aristophanes.The translation is what almost gave me reason to give three stars to the book, this because as I am not native English speaker the Scottish accent given to the Spartans seems to me out of place and tiring to decode. Other point that makes me dubious of the work of the translator is if he decided to give a contemporary accent to Spartans thus what guaranty one could have that he has not introduced modern phrases to replace old ones... Finally I believe that with works so ancient is better to use a modern English than one that looks artificially old and disguises the natural poetry with anachronistic clothes. But then again this is a personal observation that could be no usual with the uses in English language.

Let me start by saying that I am not a classics scholar. I have no knowledge of Greek, and the last time I studied Latin was as a high school sophomore thirty five years ago. I am, however, a student of rabbinic literature, and anxious to understand the Greco-Roman milieu from which Rabbinic Judaism emerged. I also am anxious to know how these plays were performed orally, in front of a live audience. To that end, I have always preferred colloquial translations to more formal ones. And this translation certainly fits the bill, providing lots of "colorful" language. While I suspect that purists will find this approach off-putting, I personally find it exhilarating. Remember that we are talking about a comedy show, performed in front of a largely illiterate audience, and perhaps accompanied by imbibing copious amounts of wine. Bawdy? Yes. Off color in places? Yes. But a rollicking good time - yes! No wonder that in Providence, not far from my son's school (URI), they did a series of performances of Lysistrata - which audiences loved. I hope they used this text, or one which is very similar.

I don't think that this play has stood the test of time. I love the story idea of women withholding sex to stop war and I would love to see a modern day version of it but it was hard to follow sometimes and surprisingly graphic. I wonder how it was received in its time.

I had to buy this for a college literature class. It was called survey of literary humor- and let me assure you this book was not funny. If you want a comical book read “The Confederacy of Dunces”. It’s so ridiculous it’s funny. It’s the only book that has actually made me ever laugh out loud.

Good translation. Perhaps the best part of it, is it's historical appendices. Probably comes as close to capturing what we know of Athenian "humor" as any translation I've read. There are some allusions that are just lost to history, but still the story and the sharp dialogue is great.

After reading five other translations, I chose Ruden's translation to direct at our local community theatre. Yes, it was profane and bawdy but it was the most "performable" of all the translations I read. The footnotes and essays helped actors (and the director) to "get it" and the colloquial language made it accessible to contemporary audience members and those who are just reading the script. The actors and audience loved it! My favorite version...fun and scholarly!

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Download , by Helen Oyeyemi

Download , by Helen Oyeyemi

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, by Helen Oyeyemi

Download , by Helen Oyeyemi

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Product details

File Size: 1130 KB

Print Length: 306 pages

Publisher: Riverhead Books (March 6, 2014)

Publication Date: March 6, 2014

Language: English

ASIN: B00DMCUYX6

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Amazon Best Sellers Rank:

#93,332 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

"Boy, Snow, Bird" was my book club's choice of the month. I'm not sure that I would have personally chosen this book to read but it's a great example of why I joined a book club in the first place. We are constantly exposed to books from different genres and themes and this month's theme was a fairy tale retold, and in this case, Snow White.There were larger issues, such as racism and how other's perception of you can shape your life and how you see yourself, displayed in this story. Constantly looking for the similarities to the Snow White fairy tale can become distracting which could, unfortunately, cause the reader to miss a lot of symbolism weaved throughout the storyline.The story dragged in the beginning and I wasn't quite sure what the point of the story was. At first, the only similarities I saw to Snow White were the references to the mirrors and one of the characters being named Snow. Otherwise, I just didn't see it, but I hung in there and the plot started to pick up after the 30% mark. Just as things really started coming to fruition the story ended very abruptly and without resolutions. This was unsettling to me and I find it very annoying to finish a book and feel that the story is unresolved.After my Book Club's dynamic discussion, I read a review article of "Boy, Snow, Bird", which also stated that there were no resolutions to the many issues presented in this book, and I felt vindicated that I wasn't alone in my assessment. It also got me thinking that maybe this was done on purpose because there are no real resolutions to these issues in real life, so why should we expect them to be resolved in a novel. I started to remember passages from the beginning of the book that didn't mean much at first but meant so much more now.Maybe this novel is just a vehicle to make us aware of these important issues, and designed to make us think.

Purchased this for a book club and was excited to see a new take on the snow white/evil step mother storyline. But this was just... Weird. The writing was at moments brilliant, and others utterly confusing. Never could get into the "rhythm" of reading it (and therefore get lost in the story) because you had to stop and reread certain sections over in order to understand exactly what this person was trying to say or what the narrator (if you can call her that) was talking about. And the ending, well... Random and half baked sum it up. Not that I was loving the book before the last 20 pages, but the ending killed any goodwill it had created up until that point. Would not recommend for a "fun" read. But it certainly was fun to discuss (and make fun of) during our book club!

When I see a movie or read a book, I'm always looking for something I've never read/seen before. As decades of reading pile up, I find so much I read and see so predictable. But this book, aaaah. I do not want to do what so many reviewers do and tell you what happens. But the themes: the power and pain of beauty, the decisions of motherhood, the meaning of family. And Oyeyemi's language, her play with words, her humor. I realize this is one of those books that folks either hate or love. If you're looking for a nice new twist on Snow White (like Wicked), forget about it. This is a book you've never read before.

Helen Oyeyemi was a new author to me, and I became aware of her book "Boy, Snow, Bird: A Novel" through an recommendation on Amazon. The narrative is in the first person, but each chapter has a different narrator, telling the story of one suffering family over two generations. How the women in this one family reach integration and peace of heart: this is at the heart of the novel. It is full of surprises, sometimes uncomfortable ones, from the start to the finish. In the end the reader needs to recognize that life must be embraced at deeper levels, as Boy, Snow and Bird do, in spite of all their difficulties.

Strong writing. I plan to reread this book. A couple of the characters were challenging to remember as they were spread over time. But that was just the writer's style. It was interesting that my assumptions about Boy's feelings and interaction with Snow was inaccurate. I misread the cues. Maybe that is what the writer intended. This is mostly a story about what happens when a child lives with abuse and rejection, how she makes adult choices and how those choices effect others. We're all familiar with examples the way abuse breeds abuse. But some survivors manage to subdue their anger and resentment just below the surface and leave those around them wondering what's at the root of that person's behavior. All of this goes on with a backdrop of issues around racial ambiguity. The main story could have progressed in much the same way even without the black family "passing" as white angle. And It felt as if nobody cared except the family members when the bloodlines where exposed for the town to see. All in all, the story was enjoyable. I would recommend it.

Couldn't understand why so many people gave it a bad review? It may have helped that I didn't think it was going to be anything like Snow White until I read the reviews. If I had started with that expectation, my review might be completely different. I really liked the characters and their development. I liked the twist in the middle. I am from an area where race relations have not always been smooth sailing and love across the colour bar was illegal. I found it intriguing and saddening but beautifully written. I really enjoyed it!

Engaging, but I found some sections confusing. The satisfaction I hoped for was not there upon finishing this book, as I had too many questions. Still, it held my attention, and I am considering rereading, to see if my confusion is answered.

Oyeyemi introduced a lot of complicated themes but didn't resolve them sufficiently. The ending was utterly bizarre and ruined all the hard work in character development in my eyes. There are some area of beautiful prose and the intimacies of the letter-writing between the sisters was spectacular.

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