Get Free Ebook , by Wheeler Winston Dixon Gwendolyn Audrey Foster
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, by Wheeler Winston Dixon Gwendolyn Audrey Foster
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Product details
File Size: 11782 KB
Print Length: 492 pages
Publisher: Rutgers University Press; 1 edition (March 5, 2008)
Publication Date: March 1, 2008
Language: English
ASIN: B001TOCHZW
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This book is amazing for an Overall History of Film and definitely great to see what kind of films were great in their times and the effects of history that had on the movies. Their are many films in this book and i suggest watching them all to get inspired to create your own movies because the movie industry portrayed in this book is much better than the industry we have now
OK
very good.
excellent
Arrived as described and in record time. I would do business with this seller again. And I'm learning all about cinema now which is great since I have three exams to study for.
I bought this book as a supplement to my Film Appreciation Class in College. I found it informative, especially if you are a movie buff.
As a professor of cinema studies, I’ve taught film history for almost two decades and have used just about every textbook on the market, including Parkinson’s "History of Film," Mast and Kawin’s "Short History of the Movies," and Wexman’s "History of Film." I consider Dixon and Foster’s book the best short history of film currently available.It offers readers a compact, illuminating tour of film history from its beginnings to the present day that covers major milestones and movements while highlighting important figures marginalized in previous histories of the medium, especially women filmmakers and directors of color.The comparison with Cook’s "History of Narrative Film" made by another reviewer is misleading. It’s a fine book that I own in several editions, but it’s also a lengthy, exhaustive chronicle of film history that runs 22 chapters. It’s suitable for a sequenced, 2-semester course on the history of movies, but overkill for a class running a single semester—as many do. It’s also quite pricey at $80.The advantage of Dixon and Foster’s textbook is that it provides a briefer survey of film history (at 10 chapters) without sacrificing nuance or analytical rigor. Not an easy feat! It’s also far less expensive than Cook’s book in paperback—a boon for students.Could one wish for a more detailed discussion of one’s own favorite filmmakers, movements, or eras? Of course. But that wouldn’t be in keeping with the aim of the book, which is to deliver a short, knowledgeable, and accessible introduction to film history. At this it succeeds admirably.Recommended.
This book is an attempt at nothing less than a history of film, from the beginning to the present.It starts in the beginning, with Thomas Edison and George Melies and the film of the Jules Verne story From the Earth to the Moon (that's the one where the Man In The Moon suddenly gets a spaceship in the eye). From there, the book explores the silent film era, the coming of sound, the patriotic and propaganda films that were produced during World War II, film noir, the sudden freedom in subject matter that happened in the post-war era and French New Wave. The book ends with an exploration of new digital technology, and the fact that films no longer have to be shot on actual film.It also looks at films around the world, during each era, including from countries that were not known for their cinematic output. It also specifically mentions many, many films, some of which are probably gone forever.This book may be a little light in the overall film analysis, but, remember, the title is A Short History of Film, not A Long and Detailed History of Film. For everyone else, this book is very much worth the time. The casual reader and the film lover will learn more than they ever wanted to know about film history.
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